Filmmaker Julia Marchese Announces Autumn Schedule of Film Screenings and Podcast Events

Structured Digest of the Announcement

Filmmaker and podcast host Julia Marchese has announced a series of appearances across three cities this autumn, centered on genre cinema and the horror film legacy. The schedule includes participation in a Stephen King-themed convention, the curation of a seasonal film series in Massachusetts, and a milestone celebration for her long-running podcast in Canada. These events highlight the intersection of independent film production, community-focused cinema exhibition, and the ongoing cultural influence of classic horror media.

Key Digest

10 Essential Facts at a Glance

Julia Marchese will screen her Dollar Baby film, I Know What You Need, at Kingcon from October 22–24 in Atlantic City.
The Kingcon event will feature the anthology Keys to the Kingdom, which includes Marchese's first published short story.
Marchese is programming the sixth annual Halloween Hullabaloo at the Somerville Theatre in Massachusetts from October 27–30.
The Halloween Hullabaloo series features a special appearance by Victoria Price to discuss the legacy of Vincent Price.
Screenings at the Halloween Hullabaloo include Night of the Living Dead, Hausu, Killer Klowns from Outer Space, and Phantasm.
Cujo, Pet Sematary, House on Haunted Hill, and Dragonwyck are also scheduled for the Halloween Hullabaloo event.
Marchese will host a 500th episode celebration for the Horror Movie Survival Guide podcast in Ottawa.
The Ottawa event takes place at the Mayfair Theatre on November 2 and November 4.
The November 2 screening will feature a 50th-anniversary showing of the film Carrie.
The November 4 event includes a screening of Marchese's feature documentary, Out of Print.

What This Means

The upcoming schedule reflects a broader industry trend toward independent, community-driven film exhibition and the sustained popularity of physical media culture. By curating repertory screenings and participating in genre-specific conventions, creators like Marchese emphasize the role of independent theaters as essential hubs for communal viewing experiences. These events serve to bridge the gap between traditional film distribution and digital-era podcasting, where creators leverage established fan bases to foster direct engagement with niche audiences. Such efforts highlight the continued demand for curated cinema experiences that move beyond mainstream theatrical releases, focusing instead on retrospective programming and the preservation of historical film legacies.

Furthermore, the integration of podcasts into live event formats demonstrates the evolving business model for independent media professionals. By utilizing milestone episodes to secure venue bookings and promotional opportunities, podcasters can extend their reach into physical spaces, reinforcing the value of the listener-creator relationship. This strategy allows for the monetization of niche content through live performance and ticketed screenings, providing a sustainable pathway for creators who operate outside of major studio systems. As the horror genre continues to maintain a significant cultural footprint, the ability to organize localized, event-based experiences remains a vital component for sustaining interest in classic films and independent documentaries within the contemporary media landscape.

Questions Worth Watching

How will the integration of live podcast events continue to influence the programming strategies of independent movie theaters?
What role do independent film festivals and genre conventions play in maintaining the cultural relevance of legacy horror films?
To what extent does the shift toward community-based screenings impact the distribution models for independent documentaries?

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